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february/march
2025
EXHIBITION
17 january – 29 june
Hollywood op Flores
Missiemuseum Steyl
Two small drawings and a print, related to colonial film-footage from SVD father Simon Buis
shot in Flores Indonesia, 1920’s
curator: Eddy Appels
Réouverture Officielle, Atelier Néerlandais, Paris FRANCE
Open for public monday 17-2 / friday 21-2 from 12 to 17
The Atelier Néerlandais (AN) is located at its own location (22 Avenue Victoria in the 1st arrondissement) ans is an integral part of the Dutch embassy in Paris.
1 march – 5 april
New acquisitions Exhibition, CBK Zuid Oost, Amsterdam
PUBLICATION
Ria Rago, de Heldin van het Ndona Dal
Risobook (Knust, Nijmegen) with contribution of Jolanda Kooijmans
Public presentation at Missiemuseum Steyl: february 23
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coming up
2025
13 september 2025 – 1 march 2026
De Collectie Verzet/The Collection Resists
Missiemuseum Steyl
GROUP SHOW
SVD 150 years, reflecting on the missionary museumcollection
curator: Oscar Ekkelboom
2026
april – september 2026
Museum W, SOLO
curator: Haiko Sleumer
2027
juli – september 2027
Schaduwtuin/Shade Garden, collaboration with Weverijmuseum Geldrop
artistic research and weaving project on colonial history Geldrop-Dutch Indies
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ABOUT MY WORK
I have an interdisciplinary/interplanetary practise based on drawing and research.
My drawings should generate energy and consciousness in a world of decay. Provide space for contemplation, melancholy, spiritual comfort and confrontation.
My drawings in (multimedia) installations often tell about a specific history of a special place, historical person or community.
Symbolic figures in my works refer to universal and spiritual undertones. They refer to a shared (inner) knowledge.
I have a great interest in animism and the land where my father was born, Indonesia (then ‘The Dutch Indies’).
Nature gives direction to my work and the voices of my ancestors whisper in my ear.
My drawings are always part of a greater whole and can coexist seamlessly with other media and collaborations with others.
My drawings are created in a sensitive and organic way, in which time investment is a substantial part.
This also goes for my audio en video works, paintings, installations.
It takes a lot of scrolling with elements before a work gets concrete form. And at the same time I keep on learning techniques.
I look for inexplicable ‘throbbing’ moments in the studio, when all the examined and layered elements come together magically in their own final form.
Complexity produces clarity.
Shadows of human life become tangible in universal and timeless situations in large drawings that coincide with the architecture they are presented in, or small drawings as momentum and intimate conversation with their subject.
For contact or studio visit, welcome, you can mail me
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In 2024 I collaborated for the first timewith Weverijmuseum Geldrop.
The ‘translation’ of my drawings into weaving takes place on a computer-controlled Itema jacquard machine that is quite new at the old Weverij. The ‘slow’ making and ‘weaving with lines’ is related to my own daily drawing practice, in which time investment plays a role.
BANDUNG INDONESIA. Oh Tina! Before Eulogy
a site-specific magical performative artproject with Goethe Institute Bandung
curators: Architect Dea Widya and writer Suina Latersia.
On “The Tina and Joi” Trilogy; a fictional story about a young couple struggling in a conflictual marriage and their daily life in the city. At a former colonial house, home to Goethe Institute Bandung, managed by The Lodge Foundation in Bandung’s DAGO district, the performance-related installations were staged in various media responding to the story of the mysterious Tina. In this artistic re-enactment, the house regained its original status as the home of the disappeared bride Tina. The multimedia disciplines of the participating artists complemented each other in a hybrid route through different rooms in the house. The audience felt Tina’s presence in “traces she left behind” and her spirit in the atmosphere.
I elaborated on the story with a magical installation consisting of large printed 400 cm high endurable textile panels that hung down in the patio. Drawings and real plants were projected via two mobile overhead projectors on the panels. Performative presentations were done two times on 7 nights. The audience became part.
read: Bandung Bergerak article by Awla Rayul / Ahmad Fikri
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Danielle Lemaire
Generaal Bothastraat 5K
Eindhoven
daniellelemairestudio at g mail dot com
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publications
“il pourrait ne pas disparaître“
inspired by the collection of Frits Lugt at Fondation Custodia
I see my love for drawing figurative and natural elements and stories in the drawings of the Custodia Foundation collection. During the working period at Atelier Néerlandais in April, I worked on a collection of ‘miniature drawings’ that took up residence in an antique art nouveau album I found at the flea market. The album is reminiscent of the beautiful folders of drawings Frits Lugt collected for the Custudia Foundation collection.
JaDa – De Missie Residency project
From March 1 to May 31, 2021, JaDa worked at the studio of
AIR De Missie, in nursing home Park Zuiderhout. We lived and worked among the priests and missionaries, who reside there in the last phase of their working lives. We studied the history of the institution and its residents. The former missionaries traveled the world; they worked in Congo, Ghana, the Philippines, Brazil, Papua New Guinea and the Dutch East Indies and have amazing stories. JaDa was also on a mission: the mission to propagate the arts.
support JaDa releases: Cultuur Eindhoven and Constant van Renesse Fonds
Jan Van Den Dobbelsteen & Danielle Lemaire
i.s.m. Stedelijk Museum Breda, en Kunstloc Brabant
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